watch now on amazon prime

Led by command performances from West Liang and Amy Tsang, SILENT RIVER is a visually stunning and layered film that boldly challenges the idea of what is real and what is not.
— Jeremy Aguilera-Gaudette, Los Angeles Asian Pacific Film Festival
Tsang is asked to do a lot and delivers a convincingly ethereal presence.
— Sumner Forbes, Film Threat (Review for SILENT RIVER)
Yet it was the mercurial way Tsang conducted herself that was particularly riveting. Tsang embodied Greta and Julie so perfectly that it was easy to tell when she was playing without help from the script. For example, one scene in which she shares a bath with her husband is equally electrifying and heartbreaking. Tsang is, in many ways, the centerpiece of ‘Silent River’, as enigmatic with moments of breathtaking emotional clarity as the film itself. Conflicted yet decisive, Tsang’s Greta is a fascinating creation.
— The Fandomentals (Review for SILENT RIVER)

Awards for Silent River

NOMINATED, Best Actress in a Feature, Next Generation Indie Film Awards, 2022.

WINNER, Best Director, Innuendo International Film Festival of Milan, 2023.

WINNER, Best Narrative Feature, Syracuse International Film Festival, 2022.

WINNER, Best Feature Film & Best Cinematography, Solaris Film Festival (Nice, France), 2022.

WINNER, Best Director, Buenos Aires International Film Festival, 2022.

WINNER, Outstanding Narrative Feature, Art of Brooklyn Film Festival, 2022.

WINNER, Outstanding Courage in Filmmaking, Tallgrass Film Festival, 2021.

WINNER, Best Horror, Thriller, Sci-Fi Feature Film, Cinequest San Jose Film Festival, 2021.

WINNER, Best Feature for Change, Paris International Film Festival, 2022.

WINNER, Outstanding Narrative Feature, Art of Brooklyn Film Festival, 2022.

WINNER, Gold Remi Award, WorldFest Houston, 2022.

NOMINATED, Best Feature, DisOrient Asian American Film Festival, 2022.

NOMINATED, Grand Jury Award for Best Feature, Seattle Asian American Film Festival, 2022.


 
 
Tsang has a beguiling mystery about her... (she) gives a wary fatalism to Karen.
— Roger Moore, Movie Nation (Review for LOVE SHOT)